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Arjun Patiala Review: Diljit Dosanjh – Kriti Sanon’s comedy tickles the funny bone, but only in parts

Arjun Patiala Review: Diljit Dosanjh’s bromance with Varun Sharma wins more hearts than his romance with Kriti Sanon

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Star rating:

Arjun Patiala
Diljit Dosanjh (Arjun Patiala), Varun Sharma (Onidda Singh), Kriti Sanon (Ritu Randhawa), Mohammed Zeeshan Ayub (Sakool), Pankaj Tripathi, Seema Pahwa (MLA Prapti Makkar), Ronit Roy (Amarjeet Gill)
Director: Rohit Jugraj Chauhan
Producers: Dinesh Vijjan (Maddock Films) Bhushan Kumar (T-Series)

The makers of Arjun Patiala have been unabashed about admitting that their film is a spoof on all things filmy. They even had their promos highlight a checklist of all the kitsch formulas they’ve added in their film, that every Bollywood movie usually boasts of, including an item song. With the makers cracking jokes on their kind of cinema and their own film, Arjun Patiala claims to be a fun outing. So does the Diljit Dosanjh – Kriti Sanon and Varun Sharma starrer turn out to be one? Read on to find out:

What Arjun Patiala is all about:

Arjun Patiala is a cop on a mission. He is also the fictional hero of a story being narrated to a prospective Bollywood producer by his writer-director. Arjun’s mission is to fulfill his mentor DSP Amarjeet Gill’s dream of making his district crime-free. The super-goofy Onidda Singh is his loyal constable and together they make a plan to cleanse their district Ferozepur (in Punjab) of all criminals by getting them to fight and kill each other.

Besides, the mission, Arjun is equally passionate about his drinks and also has a weakness for women, though he is very clear that he respects women a lot. “Maa behen ki izzat karni chahiye, unki izzat ki maa behen nahin,” he sermonises two local goons who are caught eve-teasing. (Yes, eye roll moment here!) He soon falls in love with Ritu Randhawa who is an ambitious TV reporter for a local channel. Righteous in her approach, she is against Arjun’s way of getting rid of criminals and ultimately decides to expose him. Also involved in the happenings are MLA Prapti and the dozen goons whom Arjun gets killed. One of the goons is Sakool, who has his own style of operating. There’s also Sunny Leone who comes in for a cameo and an item song with the hero and his side-kick. How Arjun Patiala finally accomplishes his mission without losing his lady-love is the story? And if the story will become a hit if made into a film is the real question?


The light-hearted entertainer is funny in several parts in the first half. Diljit is cute and exudes a charming innocence which wins audience hearts. Varun Sharma is a riot! Their easy-going bromance is fun to watch and together they pull off even the silliest of dialogues with laughter. Kriti plays her pretty card to the max and is a delight to watch. Her expressions are a strength here and try to make up for the otherwise drab lines. However, a weak story fails her as it does the others too. Her chemistry is adorable with Diljit, though we think the bromance scores more than the romance. Ronit Roy aces it effortlessly too. Overall, performance-wise the film’s a hoot. But it’s the other aspects that spoil it for us to be frank!

The music could’ve been a few notches higher and even Sunny Leone’s item number is easily forgettable and best forgotten! The situational comedy and dialogues work in some parts, but that is largely due to the actors and not much credit can be given to the writers here. The film is a family entertainer and clean comedy is a relief though just too childish in parts.


The forced songs could’ve been totally avoided. The second half is a huge let-down. Right from the family and a rather weird grandfather – a victim of bad prosthetics make-up – to the entire storyline, it’s a graph taking a sudden dip. It’s so silly that you can’t wait for the film to wrap up and the climax is equally bungled up. The entire showing off ropes as in a badly made film, isn’t really funny anymore as the makers have used it already in the trailers. In the film it fails to make an impact. Also the entire scene of a drunk Diljit talking to a dead Varun is over-the-top!

 CineBlitz Verdict:

The film does have its humorous moments. The actors are worth a watch, but unsupported by a strong story or lines that pack a punch their performances fail to reach the level where they’d be called amazing! Varun Sharma is so effortlessly funny and with Diljit his energies bounce off really well. Watch it for the bromance!

Movie Reviews

Dream Girl review: Ayushmann Khurrana shines again!

Ayushmann Khurrana is not going wrong with any of his brave movie choices. The actor shines effortlessly in and as Dream Girl

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Ayushmann Khurrana in and as Dream Girl


This is the third film released within a span of a week that owes its strength to its screenwriting. Chhichhore, Section 375 and now Dream Girl, this week has been good for writer-directors. Dream Girl relies heavily on its dialogue and capable shoulders of Ayushmann Khurrana. And both help the film sail through easy-breezy. Ayushmann Khurrana plays Karam Singh, a youth from Gokul, Mathura struggling to find a job. He has been portraying roles of Seeta, Draupadi, Radha in the mythological plays since he was a child. He can imitate a woman’s voice to perfection.

Struggling to find a job even after completing his M.A. he eventually takes up a job at a ‘friendship call centre’. He speaks in a woman’s voice, pretending to be a girl named Pooja. He aces the job, starts making big bucks, falls in love with a girl, gets the girl, pays off the loan of his father and everything is going hunky dory.

In a film, things can’t go well for too long. Without conflict, there’s no fun. The conflict in Karam aka Pooja’s life does occur before the intermission when he realizes who he has been talking to as Pooja’s customers. Writer-director Raaj Shaandilyaa keeps things witty and free-flowing. Nothing looks force-fit. The situational comedy comes out naturally. The characters don’t look caricatures. And there are no villains for the heck of it.

Also read: Chhichhore review: Nitesh Tiwari’s masterpiece is hilariously profound and overwhelming!

However, Dream Girl has its loose ends. For instance, it’s a little difficult to digest how a girl doesn’t know what her fiancé does for a living. Karam aka Pooja manages to overcome any hurdle without much trouble. People around him/her may seem troublesome but not much. Maybe, sometimes, that’s how real life turns out that easy; albeit for a brief phase. Life is all about perspective and so are films. The loose ends of the films don’t hurt too much as humor makes up for it.

Also read: Section 375 review: Justice and law battle it out in this sensible courtroom drama!

Writer-director Shaandilyaa keeps it popcorn entertainment and thankfully doesn’t become preachy towards the business end. His direction doesn’t look like that of a first-time director either. Annu Kapoor, Vijay Raaz, Manjot Singh and Abhishek Banerjee do great justice to their supporting roles. Nushrat Bharucha has little to do as the film is mounted on Mr. Dependable Ayushmann Khurrana’s shoulders.

In his last three releases Andhadhun, Article 15 and now Dream Girl Ayushmann has portrayed polar opposite characters. In all his films he has managed to get into the skin of the character and managed to make it look effortless. Ayushmann Khurrana aka Pooja’s story in and as Dream Girl is a laugh-riot. So, if you’re looking out for fun-filled two hours in a movie theatre then there’s no harm in watching Dream Girl.

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Movie Reviews

Section 375 review: Justice and law battle it out in this sensible courtroom drama!

Akshaye Khanna spearheads Section 375 with his brilliant performance but the film’s real strength lies in its clever writing and direction.

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Section 375 review


A lot has changed in the Hindi film industry in last few years as some of the age-old themes have found contemporary voices of writers and directors. One of those themes is courtroom drama. Bollywood seems to be getting over the over-sensationalised courtroom dramas where the lawyers are yelling over the top of their lung capacity and the judges are merely doing “order-order”. Director Subhash Kapoor’s thoroughly entertaining Jolly LLB and Jolly LLB 2, Anubhav Sinha’s thought provoking Mulk, and Chaitanya Tamhane’s poignant Court are some of the notable courtroom dramas in recent times. Director Ajay Bahl’s Section 375 – Marzi Ya Zabardasti is the new addition to this list. Point to be noted, the judges in these films have a great say in the cases than just delivering the verdict.

Section 375 decodes the rape law in India through a debate between following the law and whether justice has been done. A film director Rohan Khurana (Rahul Bhat) is accused of rape by a costume assistant Anjali Dangle (Meera Chopra). (Seems like loosely taken from actor Shiney Ahuja’s case.) The matter is taken to the court and the drama begins to unfold.

The narrative does not take anyone’s side. Rather it keeps you in pursuit of the truth through its twisted tale – his side, her side. The sympathy in any of the cases goes to the victim. How do you find the truth and most importantly how do you make sure that justice is done? The best thing that anyone associated with the cases – police, forensics, lawyers – can do is follow the law. It’s a complex and sensitive puzzle to solve.

Watch the Section 375 trailer here:

There are no fine lines in such cases, at least the one that this film shows. The lines have been blurred and crossed. Telling you more about the story will hurt your movie watching experience as the strength of Section 375 lies in the way the story unfolds, literally scene by scene.

Making a film on such a sensitive issue as rape in a rapidly growing, poorly informed, and easily manipulated population is difficult. Making an entertaining and though provoking film is even tougher. Writer Manish Gupta (Sarkar) who has also made films like The Stoneman MurdersRahasya provides all the information on the law and its layers, and plots the arguments between lawyers Tarun Saluja (Akshaye Khanna) of the accused and Hiral Gandhi (Richa Chadha) the prosecutor.

No emotional speeches, no feisty rivalries between the battling lawyers, no one getting into a physical fight in the court. It’s a breather from all the nonsense we have grown up watching. Director Ajay Bahl (he made B.A. Pass) and cinematographer Sudhir K. Chaudhary do away with the traditional pans and dollys. Instead they take multiple angles of the same scene, just like the story tries to show the different aspects of such cases and law. Even though it’s cleverly written and finely executed, Section 375 is a disturbing experience for the issue it tries to address. So, should it be watched in theatres? Yes.

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Movie Reviews

Chhichhore review: Nitesh Tiwari’s masterpiece is hilariously profound and overwhelming!

In Chhichhore, there’s less gyaan; more fun and emotion. Nitesh Tiwari’s masterpiece is hilariously profound and overwhelming.

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Chhichhore movie review


It begins with a dunk fight at the hostel, started by Sexa (Varun Sharma) and Anni (Sushant Singh Rajput). All the boys of the hostel in their undies are throwing water over each other. Cut to years later when Anni is a mid-forty mature, grim father of a son. I wondered whether it is a version of Nitesh Tiwari (film’s writer-director) himself? It is known that this film is a semi-memoir of Tiwari’s college life. The film is being narrated to the audience as well as to Anni’s son by Anni and his college friends Sexa, Derek (Tahir Raj Bhasin), Acid (Naveen Polishetty), Mummy (Tushar Pandey), and Maya (Shraddha Kapoor).

The film finely shifts between 90s and present day, often between similar situations and dialogues in both times. Too much, too literal? Not at all. From Mansoor Khan’s Jo Jeeta Wohi Sikandar to the fantasy-world Student of The Year, Bollywood has produced many films like this. But Chhichhore is unique for its masterful storytelling. I can’t recollect a Bollywood movie managing to pull off A-grade dialogues describing ‘dirty’ things, putting across the point without being on-the-face, and not getting sloppy even for one scene.

Chhichhore is all in its writing (Nitesh Tiwari, Nikhil Mehrotra, and Piyush Gupta). And all the actors do a splendid job performing the written material. You can easily relate with the film/characters. Because whether or not you have gone to college, an Engineering one for that matter, you must have grown up with people like these. Film’s comparison to Rajkumar Hirani’s hugely popular 3 Idiots is inevitable. But Chhichhore surpasses it. While 3 Idiots was about teaching the education system a lesson and following your dreams, Chhichhore shows that there’s much more to college than just records and marks and achievements – sans the massy dramatisation.

Watch the Chhichhore trailer here:

Anybody who has watched the climax of Dangal, knows how well Nitesh Tiwari can show sports sequences. The climax of Chhichhore does not disappoint either. Bollywood filmmakers often exaggerate in order to make a point. But Tiwari and his co-writers and editor keep things natural, subtle and easy going. The ‘losers’ as the friends have been called in the hostel, haven’t achieved anything great in their lives. But that’s how real life is.

Probably that’s what the makers have aimed to show here. They succeed in keeping it close-knit around the college that happens outside the classrooms. Strangers meeting, giving each other tough time, later becoming friends for life. If you think of it, that’s what matters eventually.

Notable mentions in terms of acting performances: Varun Sharma as Sexa delivers a delightful performance. He delivers the film’s best punchlines. Sushant Singh Rajput as Anni, is earnest. His portrayal of the middle-aged version of his character is more convincing than the younger one. Shraddha Kapoor, Tahir Raj Bhasin, and Naveen Polishetty do a fine job too.

Hindi films are not known for being study material for use of colour, sound, editing and background score in the cinephiles’ world. But Chhichhore can become one of the firsts. Director Nitesh Tiwari has beautifully created the world of 90s. Everything flows naturally and smoothly. There’s less gyaan; more fun and emotion. It is hilariously profound. I’m not a big sucker for nostalgia but this film makes you want to reflect on the college life. This masterpiece by Nitesh Tiwari left me overwhelmed.

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