Whodunnits are a tricky affair in cinema. It’s not often that one sees a filmmaker ace in serving a deliciously whipped thriller that’ll keep you guessing and engaged right till the end. This breed of filmmakers is rarer still in Bollywood. Today the challenge in the genre also lies in battling the constant threat and fear of the ending being leaked, revealed or unraveled, not in the climax scene on the big screen, but via the chats and messages on the phone screens that travel faster than the word-of-mouth! However, master filmmakers figured out an aeon ago that the true victory lies in making a film that would draw an audience even if they know how it ends (you know the journey being as much fun as the joy of reaching the destination). That obviously explains the repeat value of the greats in the genre. Closer home, Prakash Kovelamudi has ventured into Bollywood tapping this very genre with his whodunnit Judgementall Hai Kya. So, does this Ekta Kapoor-produced thriller starring Rajkummar Rao pass the litmus test? Read on to find out:
What Judgementall Hai Kya is all about:
After witnessing her parents’ accidental deaths as a child, Bobby (Kangana Ranaut) grows up to be a complex and layered adult suffering from acute psychosis. In fact, she is required to take regular medication to keep it in check. A professional dubbing artist, she tends to internalise and obsess over the female characters she dubs for to such an extent that she starts believing that she is really them and starts seeing herself in their situations.
But that’s not all. Wanting to be them, she finds an easy way out by getting herself clicked in those avatars or getting herself photoshopped in others. She also has another quirk! She loves origami, which she only does using newspaper cuttings of cases of rape, domestic violence or abuse. She even does a brief stint in an asylum readily after attacking a senior colleague who tries to make a sexual advance. She is also somewhat wary of men and looks at them suspiciously. And through it all, bearing her idiosyncrasies is her boyfriend Varun (Hussain Dalal). On her return from the mental asylum, a young married couple Keshav and Rima (Rajkummar Rao and Amyra Dastur) move in as her tenants. A death follows and Bobby is convinced that Keshav is the killer. But is he really? Or is it her psychosis taking an ugly grip over her reality and distorting facts? There starts the mystery.
One of the initial disclaimers at the start of the film mentioned that no animals were harmed in the making. And also that the cockroach in the film is shown using the CGI effect. Well, the cockroach bit had us intrigued. And from that moment on, the film has been one taut thriller keeping us on the edge-of-our-seat right till the end. To begin with, we are blown over by the fantastic performances of the lead actors. Rajkummar Rao in a slightly more macho zone is super-impressive and his chemistry with Amyra is sizzling hot. He is a delight on screen and proves that he can fit any role with ease and to perfection. Amrita Puri (Bobby’s cousin sister) has also done well.
The surprise package and one of the best things about the film is Hussain Dalal who plays the ‘out-of-love-luck’ boyfriend hilariously well. At one point, he and Bobby are shown grocery-shopping and discussing potatoes where she tells him to be as adjustable as the vegetable. Be like aloo, he is told. His equation with Bobby is just too funny and he’s also got the best share of the dialogues. Also there’s the scene when he complains to the cops (Satish Kaushik and Brajesh Kala) about an unused condom lying in his pocket for over two years. He just shines through his scenes. The two actors – Satisk and Brajesh – are comical and add to the zing. Jimmy Shergill once again charms effortlessly!
The actors apart, the two real stars of the film – the brilliant direction (Prakash Kovelamudi) and the cracker dialogues (Kanika Dhillon). The dark psychological thriller is helmed to near-perfection and not a single dialogue that won’t get a reaction. Take a bow there Kanika Dhillon, we’d give an extra star just for her writing. Every dialogue and its delivery hits home. The stark nature of Bobby’s mental illness and the intensity is balanced subtly with humour, twists and delicious turns. The director knew exactly what he was doing and the deft handling of sensitive issues shows his grip on the craft. The references to Ramayana present an interesting take too.
The sound design, lights and the music enhance the story and are used effectively. The renditions of the hit song Tauba tauba kya hoga are timed perfectly and used really well through the film.
Well, frankly there isn’t much we’d want to see changed. But there are some parts in the first half that seemed a bit stretched and then towards the climax some parts seemed just too rushed. Some part also got a bit confusing. That spoilt the fun by a few degrees.
One of the best imports from the South is undoubtedly director Prakash Kovelamudi. He’s aced the genre as a master storyteller and the suspense holds strong right till the end. The elements of humour, drama, mystery and Bobby’s world – all blend into each other seamlessly. If 2018 had Andhadhun, 2019 has Judgementall Hai Kya. The quirkiness of the narrative interlaced with dark humour and gritty moments is a refreshing change and it resonates throughout the film. The madness of the characters is well-portrayed. Rajkummar Rao is a treat to watch on screen. The twists and turns are unpredictable and keep you hooked right till the end. Overall, it’s one crazy fun-ride with a cat-and-mouse-chase you wouldn’t want to miss. This sinfully dark and twisted fare is gripping and gets our thumbs up!