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Kabir Singh Review: Shahid Kapoor’s performance in and as the toxic lover, Kabir Singh, aces all else

The ‘intense’ love story Kabir Singh featuring Shahid Kapoor and Kiara Advani is a veritable kiss-a-thon!

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Star Rating: 

Kabir Singh is director Sandeep Reddy Vanga’s remade Hindi version of his own Telugu hit film Arjun Reddy (released in 2017). The Telugu version starred Vijay Deverakonda and Shalini Pandey in the lead roles, whilst the Hindi version features Shahid Kapoor as the titular character, paired with Kiara Advani as his romantic lead. Ironically, neither of the two were Vanga’s first choices (but both have done ample justice to their roles). The film is called a romantic drama, but earned an ‘Adults Only’ certificate at the Censor Board. The film is jointly produced by Cine1 Studios and T-Series. Despite a lot of back-and-forth on who would play the two leads, once Shahid was locked, the film was wrapped up in a record eight months, and released today (June 21). The heart-thumping soundtrack is by Mithoon, Amaal Malik, Akhil Sachdeva, Vishal Mishra and Sachet Parampara.

What Kabir Singh is all about:

It is the ‘intense’ love story between two medical students Kabir Rajdheer Singh (Shahid Kapoor) and Preeti Sikka (Kiara Advani), whose love doesn’t come to fruition in marriage. It unhinges the already toxic-charactered hero, now a surgeon, who becomes an alcoholic and descends on a self-destructive path when his girl-friend’s parents oppose their union and marry her off to somebody else. His family and friends rally around him and despair of him alternately. But he is hell-bent on getting his love back or then it doesn’t matter what happens… Selfishly enough, to him or to the people who love him and suffer for him.

The aggressive Kabir Singh, an academic topper and senior is respected and feared by all in the college. More fear because he is a bully and any amount of trying to bathe him in glowing adjectives would be a lie. He imposes his love on the young and impressionable Preeti, a fresher, staking and claiming her as his territory by going class-to-class saying it. As students of anatomy, they spend every spare minute in exploring each other’s, and rarely pause between kisses, the chain that keeps their love-story literally bonded. And so they complete their education. He goes to her parents to ask for her hand. Actually demand it. They refuse, and there are fights galore, and the two lovers say a lot of bad stuff to each other and move on with their lives. One with alcohol, and the other, with a ‘so-called marriage’. The downslide of Kabir is rapid and devastating for those around him. How does this whole bizarre, toxic relationship really end?  Ah well, watch and learn what not to do in one.

Yay:

Shahid Kapoor is simply brilliant as the troubled and troubling Kabir Singh. He seems to have enjoyed the role at points and really suffered at times. Either way, his immersion into this flawed character was complete and flawless. A spoilt, rich brat who is best friends with his forward thinking grandmommy (played very well by Kamini Kaushal), at constant loggerheads with his dad, Suresh Oberoi, and doted on by his mature, yet indulgent brother Karan, played by Arjan Bajwa. Even though his was a brief role, Arjan lent a lot of credibility to his character, and layered it as best he could to showcase the depth of his nature.

Kabir’s friends, Shiva (Soham Majumdar – very well-performed) and Kamal (Kunal Thakur) stick by his side through thick and thin. Kiara was effective as the naïve, impressionable and sometimes wilful lover girl. Their chemistry is unmissable. You can cut it with a knife. As performances and storytelling go, it makes for compelling viewing. The dialogues by Siddharth Singh, Garima Wahal and Sandeep Vanga score in many places.

Nay: The kind of hero this character is, is basically someone who one would suggest, required psychiatric help. The acceptance of someone like this so casually and normally grates one’s core. Yes, lovers like these, exist aplenty in the South Indian film hero’s portrayals, possibly in that social milieu too. But it completely sends off dangerous wrong signals as to the very foundation of what relationships are built on. The thought that the character is based a lot on Sandeep Vanga Reddy is scary. Emotional aggression is not acceptable. Ever. And physical intimidation, even lesser. THIS IS SO NOT HOW TO WIN LOVE. In fact, going further, this does not classify as love at all. It is glorified lust, with no thought about emotional damage on either lover’s part for the other. Or how do they justify just upping and leaving the other suffering in the trail of negative action post their separation?

Aarif Sheikh’s editing left one wanting for serious respite. At just short of three hours, it seemed a tale of interminable proportions. And not a happy experience. The sound track is good, but heart-thumpingly loud right through, no subtlety. But that is something this film lacks at many levels. It is not a subtle love story.

No amount of disclaimers and warnings can work with the sheer quantity of alcohol and drugs and the ways and means to hide it in open sight that were executed in Kabir’s home. Moreover, an almost-always-drunk surgeon taking pride in a few hundred surgeries where his hands didn’t shake, sorry guys, the medical community needs waking up. Despite Shahid’s excellent performance, at no point in time does he evoke one’s sympathy whatsoever. He is a selfish, manic, unduly angry, badly behaved, horny bugger, his misdeeds protected by money. There is no poetic or philosophic side to this wrongly named Kabir.

Cine Blitz Verdict:

Whilst the film may do well in the South and in the North of India, metro cities’ urbane audiences might find it off- putting. For sure it’ll do business. You should watch it for Shahid Kapoor alone. And to learn what not to do and be in a love relationship.

 

Movie Reviews

WAR review: A spectacle for most part!

Two action stars of Bollywood are fighting against each other. Don’t ask many questions. Just enjoy the spectacle.

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WAR review

Rating:

Two Indian soldiers are warring against each other. More than that two action stars of Hindi cinema are fighting against each other. Don’t ask too many questions, don’t try to apply too much logic, it will take the fun away from watching an otherwise spectacle – WAR. Captain Khalid (Tiger Shroff) is trained by Major Kabir (Hrithik Roshan). A spectacular and gripping first half of the movie reveals how they have reached from being bros to foes.

WAR could well have been Dhoom Reloaded; but the makers have made a sincere attempt to give these two heroes some back story and some flaws that make them super-humans than super-heroes. It is still larger than life, a tad tiring but watchable. It is popcorn entertainment. And the makers here are trying to bridge the gap between masses and classes.

Tiger Shroff flies like he does in every movie, but in this one he feels pain. A superbly choreographed combat scene introduces Tiger as he busts a mafia deal in Portugal. On the other hand, Hrithik is introduced as the quintessential superstar, getting off an helicopter and his subordinates looking at him in awe. Biggest admirer among them is Tiger, who idolises Hrithik in real life too. So, Tiger’s admiration for his senior officer (Hrithik) is inherently there. They look like brothers and their chemistry makes their bromance a fresh offering after a long time. WAR might just get its own franchise in near future.

Watch the WAR trailer:

WAR has reinvented the action scene in Hindi cinema with a more western-like cinematic sensibilities while blending the Indianness of emotions. Hrithik has experienced superstardom from his first film Kaho Naa… Pyaar Hai. He went on to play a superhero (Krrish franchise) and an action superstar in Dhoom 2 and Bang Bang. But he can still pull off a Zindagi Na Milegi Dobara and somehow manage a Super 30. But Tiger Shroff’s career has been modelled around action only. WAR is his sincerest performance. His acting prowess is not what we go to watch on screen. We have made peace with it. From whatever I have seen of him in films, this character of Khalid is (visibly) driven by emotion than just the action.

It is a film about bromance and it is mounted on two pairs of strong shoulders. It is about Hrithik and Tiger and they sail the ship through. The story (Siddharth Anand, Aditya Chopra) and screenplay (Siddharth Anand, Sridhar Raghavan) have enough twists and turns but silly situations take us to reach the end. The dialogues (Abbas Tyrewala) are lazy writing; needed some smart-ass lines. But by that time, you have put logic, questions aside, you just want to enjoy the action spectacle.

After the spectacular first half, the narrative drags, sometimes on the verge of derailing from the track. It’s a little too long. Maybe in near future – makers and audience – as a collective, won’t feel the need for unnecessary songs. Frankly, I had thought both songs Ghungroo and Jai Jai Shivshankar were meant as promotional songs but sitting through them during the movie was testing my patience. The twists are interesting but getting from one twist to another gets predictable on couple of occasions.

Also read: The Family Man review: This James Bond from Chembur is a delight to binge watch!

Four action directors have choreographed action for WAR and they have created some thrilling set-pieces. The first combat scene of Tiger, has only background score of fists and screams. It’s an adrenaline rush. But background score in the rest of the film is a little overdone.

Putting together such a big budget action film, especially if it features high-tech intelligence and security services, is definitely a tough task. In India, you have to find the lowest common denominator so that you cater to a pan-India audience. YRF had superbly managed that with Ek Tha Tiger and Tiger Zinda Hai starring Salman Khan. The success of it lies in humanising the quintessential superstar whose on-screen image has ruled the movies for decades. The makers surely have honed their skills with their latest offering. WAR’s success lies in its two humanised heroes, albeit action too. Watching it on screen once doesn’t seem like a bad idea. Don’t ask many questions. Just enjoy the spectacle.

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The Family Man review: This James Bond from Chembur is a delight to binge watch!

Manoj Bajpayee (as the undercover analyst Srikant Tiwary) alone is a good enough reason to watch The Family Man. But there’s more. It is everything that a spy-thriller should be.

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The Family Man review

Rating:

What do you expect from a spy thriller? Kick-ass action, suspense, twists, smart dialogue, the spy’s heroics and some brilliant cinematic storytelling? Amazon Prime Video’s latest original The Family Man ticks all the aforementioned points. Created by the filmmaker duo Raj Nidimoru and Krishna DK (Raj & DK) The Family Man is probably the coolest spy thriller coming from India.

Srikant Tiwari (played by Manoj Bajpayee) is an undercover analyst in the Threat Analysis and Surveillance Cell (T.A.S.C.) of the National Intelligence Agency (NIA). As seen in any spy movie/series these men live two lives. They can’t reveal the nature of their job to their family and friends. They describe their work mostly as meetings or office paperwork. The man here is no different.

Srikant Tiwari is a highly-respected spy in the organisation but leads a dejected family life. His brother, wife, kids think that he’s a loser doing a ‘government job’. But unlike other ‘family men’ Srikant can’t remove his frustration on his family. Unlike other husbands/fathers he can’t tell what he goes through at work on daily basis. It’s agonising as well as heroic. Heroes do their jobs silently.

The show is aptly titled The Family Man with the tagline “Middle Class Guy, World Class Spy”. It is this family side of this ace spy that connects him with every man in the country. In a way, it is the story of all of them. Unlike many spy thrillers there are no men looking suave in suits, driving swanky cars and sipping expensive whiskies.

The Family Man trailer:

Tiwari eats vada pavs and idlis at the street stalls. He drinks at modest quarter-bars after a tiring day. He drives a Santro. Tiwari is asking his senior to approve his long due home loan. But this James Bond from Chembur (a Mumbai suburb) is way cooler than any other spy you would have seen.

Manoj Bajpayee plays Srikant Tiwari with such an ease that him alone is a good enough reason to binge watch the show. Gaalis (cuss words) uttered by him sound lyrical. He carries a certain pain on his face – that’s the dejection he faces as a family man. He swaps it with an endearing smile (almost childlike grin) when he accomplishes a mission. And this is captured beautifully in one scene where his daughter is telling her mother about how he saved her from getting suspended from school. What a middle class man yearns for is a sense of validation, at work and at home. Srikant at work is worshipped but struggles to find that validation at home.

The series is credited as based on news stories. The filmmakers’ (Raj & DK) 2010 film Shor In The City was also based on the news stories. The duo’s knack for showing quirkiness in the smaller-than-life scenarios has been evident since their debut feature 99. Here, they don’t have the limitation of censorship or the duration limit of a feature film. And they show what they can create when they have that freedom.

Also read: Manoj Bajpayee’s The Family Man is inspired from several real-life events

Raj & DK have crafted two outstanding one-take shots of assassination of terrorists. One of them is more than 10 minutes long. When was the last time you saw something like this in Indian content? Cinematography (Nigam Bomzan, Aziz Moollan) is spot on. Background score is hypnotic. The action looks more adrenaline than a choreographed set-piece. That’s a plus. Even the supers/title cards are done well. The screenplay (Raj & DK, Suman Kumar) and dialogues (Sumit Arora of Stree) capture the diversity of India blending all the flavours in one.

The Family Man is not only about the spy and his family. Through various sequences leading to the centre conflict of terrorism, the series touches upon the socio-political reality of today’s India. The cow protectors and mob kill two men carrying beef in their truck. Three college students involved in terrorist-like activities are mistakenly killed. Terrorism that is often linked to a religion has its roots going down to the places and people you wouldn’t imagine. Complexities are smartly woven together.

But it’s not just about terrorism and political secrets. The series explores the dynamics of interpersonal relationships at home as well as work. How quickly the kids are growing up rather getting exposed to the whole wild world. How modern day marriages are going through a transition. The creators here have managed to bring all of this together quite efficiently.

Also read: Manoj Bajpayee is the utlimate hero who broke Bollywood stereotypes!

All of this wouldn’t have looked seamless on screen had it not been for its fine actors. Leading them is of course Bajpayee. Besides being a spy he’s a storyteller at heart. He can coin a story at any gun point. He’s a delight to watch. His Maharashtrian sidekick, his colleague at NIA, JK Talpade is played superbly by Sharib Hashmi (long time after his hilarious 2012 film Filmistaan). Priyamani as Srikant’s wife Suchi plays it subtle and simple. But she keeps you intrigued. Tiwary’s kids Dhriti (Mehek Thakur) and Atharv (Vedant Sinha) give natural performances.

Need to mention Neeraj Madhav here who plays Moosa, an ISIS trained terrorist. He portrays the complex emotions of a vulnerable son missing his mother and executing a terror attack with prowess. Other supporting cast of Shreya Dhanwanthary, Darshan Kumaar, Sharad Kelkar, Dalip Tahil, Kishore Kumar G, Abrar Qazi do their jobs sincerely.

To sum it up, The Family Man is a cinematic romance. Everything just falls into the right places and it’s the moments that make it an enjoyable journey of ten episodes. Drop everything else and binge watch it.

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The Zoya Factor review: Why so much fuss?

Sonam K Ahuja does a reasonably good job but the film is much ado about nothing.

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The Zoya Factor review

Alright, I haven’t read the novel (The Zoya Factor) on which this film is based. So, I went to watch the film with zero expectations. I just wanted to be entertained for those two hours in the theatre. But unfortunately, entertainment didn’t last for more than the first half. Sonam K Ahuja plays Zoya Solanki who was born on 25th June 1983, the day the Indian cricket team won the World Cup. Zoya’s father (played by Sanjay Kapoor), an avid cricket lover calls Zoya a lucky charm for the Indian cricket team.

Zoya hates cricket. But as fate would have it she finds herself becoming the official Lucky Mascot for the Indian cricket team. How that happens and whatever happens after that is the premise of the film. But there’s so much fuss around this silly sounding phenomenon. Cricketers and crickets fans alike are known to be superstitious. Most of us have watched tense cricket matches doing all sorts of praying rituals, just so that India wins the match or series. The madness reaches its peak when it’s the world cup.

My generation of cricket fans must have seen all the emotional outrage when things don’t go well for Team India. The World Cups of 1996, 2003 and 2007 have been prime examples of that. Post the 2011 world cup victory, fans have sobered up (or down?). The Zoya Factor involves one such world cup with lucky mascot Zoya on the Indian team’s side. The year in which the story is happening is not clearly mentioned. If it is present day, then a thing or two should have been changed w.r.t cricket rules (taking a runner is not allowed to a batsman anymore).

Trailer of The Zoya Factor:

What hurts The Zoya Factor is the lack of reasoning. We get to know how Zoya becomes the lucky mascot but why would the cricket board even consider something like this is a question (even if it’s just a movie) that doesn’t have an answer. The ‘Hows’ of a film can be debated and passed on but the ‘whys’ can hurt a film’s prospects big time. That’s the case with The Zoya Factor. There’s so much fuss created that you wouldn’t care for.

The film showcases everything on a superficial level. We don’t get to know much about Zoya (the protagonist) apart from the fact that every aspect of her life sucks. A more layered character would have added some weight to the film and the drama around her would have been somewhat credible and believable. Sonam K Ahuja does a reasonably good job as Zoya. She has put on weight for this role and she looks the part she plays. But more should have been explored about Zoya’s character. All the other characters are one dimensional, including that of Nikhil Khoda (played by Dulquer Salmaan), the captain of the Indian cricket team who starts dating Zoya. You don’t really feel connected to anyone’s journey.

Also read:Dream Girl review: Ayushmann Khurrana shines again!

The film drags a lot. There are some genuinely nice and funny moments but those are all in bits and pieces. There’s brand integration throughout the film. In a movie based on cricket an integration of Pepsi won’t hurt much as the brand has been associated with the game and cricketers for decades. Branding of a paint brand on the team’s jersey is still fine. It’s pretty much realistic too. (I like to write good things about film and I found myself looking for reasons to like this one).

The film drags a lot. There are some genuinely nice and funny moments but those are all in bits and pieces. But cricket, the centre of the whole circus should have been shot well. It is poorly acted and directed. The way the players play the shots or get out or drop catches or run their teammates out – it looks silly and lazy. All the clichés like no balls, sixes on the last ball, catches taken with a player’s feet touching the boundary line make their way into the film. It would have still been fine, had it been built up smartly. Interestingly, some of the cricketers and a board member look like they have been modelled on real Indian cricketers and officials. It’s fun if you spot it.

Also read: Chhichhore review: Nitesh Tiwari’s masterpiece is hilariously profound and overwhelming!

It is difficult to put together a cricket movie for the complex game that it is. Unfortunately, this is yet another failed attempt to crack a cricket movie. There have been quite a few made on contemporary cricket. Barring MS Dhoni: The Untold Story (2016) and Iqbal (2005) all others have been works which lack knowledge and detailing. Movies succeed on the suspension of disbelief. Unfortunately, The Zoya Factor didn’t work for me on that front. I left the movie theatre with the question, “Why so much fuss?”

Rating:

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