It’s been a while since we last saw Hrithik Roshan on the big screen. His last Bollywood outing was in 2017 for Sanjay Gupta’s Kaabil. So, naturally the star’s Super 30 is much-awaited and being looked forward to. And after much yo-yoing with the release date, the film finally hits theatres tomorrow on July 12. The film itself is the latest addition in the long list of biopics being churned out on a massive scale in the biopic-obsessed Bollywood.
Super 30 tells the inspiring story of Patna-based mathematician Anand Kumar, who took to coaching 30 under-privileged students. He helped them prepare for the entrance exams of the most prestigious engineering institute of India, the Indian Institute of Technology (IITs). Post the success, he now runs the internationally-famed Super 30 program for IIT aspirants in Patna. So, how does Hrithik score as the Patna professor Anand Kumar in this classic underdog story? Read on to find out…
What Super 30 is all about:
The film is set in 1996, Patna. Anand Kumar (Hrithik) is a simple college student and a math genius, who not only eats, sleeps and dreams math, but he even writes his love letter for his girlfriend (Mrunal Thakur) in math equations and formula. Soon he secures an admission to the most prestigious Cambridge University. However, Anand’s family belongs to a poor economic background and can’t afford the expenses.
So, he turns to the local minister (Pankaj Tripathi) for help. The minister too refuses to offer him any financial aid or support in any way even though he had earlier promised that he would support any student in their quest for education. Anand’s supportive father, Eeshwar Kumar (Virendra Saxena), who’s a simple postman tries his best. But he is unable to raise enough money to afford the education his son deserves. Heartbroken, he suddenly passes away leaving behind his two sons and a wife.
With his dreams shattered and no means to earn, Anand turns to selling home-made ‘papads’ to support his family. A chance meeting with the owner (Aditya Srivastava) of one of the largest private coaching institutes of Patna, Excellence Academy, gets him a job at the coaching centre that prepares children for the IIT entrance exams in lieu of a fat fees of course. Piggybacking on Anand’s brilliance, the CEO soon makes him a star professor. He hikes the fees of those securing admission to his private institute for the premium coaching.
In cahoots with Tripathi, the private-coaching mafia has a stronghold in the education system and as they clearly point out that it’s the most lucrative money-making business ever. Soon enough, Anand becomes a part of this business. However, while there is no dearth of money for Anand post his newfound job and success, he one day realises that he’s only pandering to the children of the rich. And indirectly encouraging the wrong that has been happening since ages, where only the privileged get an access to the best in education.
So, he disassociates from the institute and decides to offer free boarding and coaching to 30 underprivileged children who aspire to get into IIT, but don’t have the means. But he finds out that his dreams and aspirations come with a heavy price both professionally as well as personally. From here begins his struggles and fight against the much-powerful education mafia that won’t let him succeed no matter what the cost. He takes to teaching them in the most-innovative ways and with whatever little is there for their disposal. The film is the journey of Anand and his 30 students who overcome all obstacles – including the major class and economic divide – to pursue their dreams.
Well, we thought Hrithik as a Patna professor starts off on a shaky ground. And with an accent that clearly does not work for the actor. It sounds too forced in a few parts. However, he is consistently good in his performance. His grip only tightens around the character as the film progresses and he completely owns some of the emotional scenes. It may not be his career-best performance (blame the accent here) although it comes close, but the film certainly is one of his best so far.
We totally love Mrunal though. She lends an innocent charm and her chemistry with Hrithik is effortless and natural. Her two-bit scene with Manav Gohil is quite adorable too. Virendra Saxena as Anand’s father and Kiran Khoje as the screen mum have some real cute moments that’ll make you smile. Also debutant Nandish who plays Anand’s brother Pranav is impressive, as are Amit Sadh and Vijay Verma in their brief but impactful roles.
But the scene-stealer is undoubtedly Pankaj Tripathi. He is absolutely at home playing the corrupt and greedy Bihari politician. He aces the role with an amazing flair. His scenes with Aditya Srivastava are particularly noteworthy and a showdown scene at Tripathi’s birthday bash is something to watch out for.
Full marks to casting director Mukesh Chhabra for the perfect and realistic casting of the 31 students, as well as the other supporting members. The film also scores high when it comes to dialogues. They all pack in a strong punch and balance out the intense with the comic with absolute ease.
The story is gripping and keeps you engaged right through the end. The practical application of knowledge that the kids indulge in will remind you of 3 Idiots. The society’s class-divide is translated well on screen. Hats off to the makers for not resorting to any tear-jerker scenes to show the helplessness that this section has to face almost on a daily basis even for the most basic rights. The cinematography and the set design department are also up to the mark and fit in well.
While the story is engaging, it does get a bit too far-fetched and unrealistic at times. Especially the pre-climax scenes add that filmy touch, reminding you that though it’s a biopic, it’s still a Bollywood film. We are sure the makers have taken certain liberties with the real incidents. But there were some uncalled for scenes that if edited would’ve tightened the film by at least 20 minutes. The Basanti song doesn’t quite click.
If you wanted to see Hrithik Roshan in the dancing-action star avatar then you will have to wait for his next outing. But Hrithik minus all his herogiri is still a treat to watch in this one. The heartwarming film is super inspiring on many counts. It only goes on to show that meaningful cinema need not compromise on entertainment to get the message across. You know that it’s a classic underdog story and can also predict the final outcome. Yet it makes for an interesting watch. You will see yourself rooting for Hrithik Roshan’s Anand Kumar and his Super 30. It’s a great story that needed to be told and it’s a story that’s well-told. So definitely worth a watch!
WAR review: A spectacle for most part!
Two action stars of Bollywood are fighting against each other. Don’t ask many questions. Just enjoy the spectacle.
Two Indian soldiers are warring against each other. More than that two action stars of Hindi cinema are fighting against each other. Don’t ask too many questions, don’t try to apply too much logic, it will take the fun away from watching an otherwise spectacle – WAR. Captain Khalid (Tiger Shroff) is trained by Major Kabir (Hrithik Roshan). A spectacular and gripping first half of the movie reveals how they have reached from being bros to foes.
WAR could well have been Dhoom Reloaded; but the makers have made a sincere attempt to give these two heroes some back story and some flaws that make them super-humans than super-heroes. It is still larger than life, a tad tiring but watchable. It is popcorn entertainment. And the makers here are trying to bridge the gap between masses and classes.
Tiger Shroff flies like he does in every movie, but in this one he feels pain. A superbly choreographed combat scene introduces Tiger as he busts a mafia deal in Portugal. On the other hand, Hrithik is introduced as the quintessential superstar, getting off an helicopter and his subordinates looking at him in awe. Biggest admirer among them is Tiger, who idolises Hrithik in real life too. So, Tiger’s admiration for his senior officer (Hrithik) is inherently there. They look like brothers and their chemistry makes their bromance a fresh offering after a long time. WAR might just get its own franchise in near future.
Watch the WAR trailer:
WAR has reinvented the action scene in Hindi cinema with a more western-like cinematic sensibilities while blending the Indianness of emotions. Hrithik has experienced superstardom from his first film Kaho Naa… Pyaar Hai. He went on to play a superhero (Krrish franchise) and an action superstar in Dhoom 2 and Bang Bang. But he can still pull off a Zindagi Na Milegi Dobara and somehow manage a Super 30. But Tiger Shroff’s career has been modelled around action only. WAR is his sincerest performance. His acting prowess is not what we go to watch on screen. We have made peace with it. From whatever I have seen of him in films, this character of Khalid is (visibly) driven by emotion than just the action.
It is a film about bromance and it is mounted on two pairs of strong shoulders. It is about Hrithik and Tiger and they sail the ship through. The story (Siddharth Anand, Aditya Chopra) and screenplay (Siddharth Anand, Sridhar Raghavan) have enough twists and turns but silly situations take us to reach the end. The dialogues (Abbas Tyrewala) are lazy writing; needed some smart-ass lines. But by that time, you have put logic, questions aside, you just want to enjoy the action spectacle.
After the spectacular first half, the narrative drags, sometimes on the verge of derailing from the track. It’s a little too long. Maybe in near future – makers and audience – as a collective, won’t feel the need for unnecessary songs. Frankly, I had thought both songs Ghungroo and Jai Jai Shivshankar were meant as promotional songs but sitting through them during the movie was testing my patience. The twists are interesting but getting from one twist to another gets predictable on couple of occasions.
Four action directors have choreographed action for WAR and they have created some thrilling set-pieces. The first combat scene of Tiger, has only background score of fists and screams. It’s an adrenaline rush. But background score in the rest of the film is a little overdone.
Putting together such a big budget action film, especially if it features high-tech intelligence and security services, is definitely a tough task. In India, you have to find the lowest common denominator so that you cater to a pan-India audience. YRF had superbly managed that with Ek Tha Tiger and Tiger Zinda Hai starring Salman Khan. The success of it lies in humanising the quintessential superstar whose on-screen image has ruled the movies for decades. The makers surely have honed their skills with their latest offering. WAR’s success lies in its two humanised heroes, albeit action too. Watching it on screen once doesn’t seem like a bad idea. Don’t ask many questions. Just enjoy the spectacle.
The Family Man review: This James Bond from Chembur is a delight to binge watch!
Manoj Bajpayee (as the undercover analyst Srikant Tiwary) alone is a good enough reason to watch The Family Man. But there’s more. It is everything that a spy-thriller should be.
What do you expect from a spy thriller? Kick-ass action, suspense, twists, smart dialogue, the spy’s heroics and some brilliant cinematic storytelling? Amazon Prime Video’s latest original The Family Man ticks all the aforementioned points. Created by the filmmaker duo Raj Nidimoru and Krishna DK (Raj & DK) The Family Man is probably the coolest spy thriller coming from India.
Srikant Tiwari (played by Manoj Bajpayee) is an undercover analyst in the Threat Analysis and Surveillance Cell (T.A.S.C.) of the National Intelligence Agency (NIA). As seen in any spy movie/series these men live two lives. They can’t reveal the nature of their job to their family and friends. They describe their work mostly as meetings or office paperwork. The man here is no different.
Srikant Tiwari is a highly-respected spy in the organisation but leads a dejected family life. His brother, wife, kids think that he’s a loser doing a ‘government job’. But unlike other ‘family men’ Srikant can’t remove his frustration on his family. Unlike other husbands/fathers he can’t tell what he goes through at work on daily basis. It’s agonising as well as heroic. Heroes do their jobs silently.
The show is aptly titled The Family Man with the tagline “Middle Class Guy, World Class Spy”. It is this family side of this ace spy that connects him with every man in the country. In a way, it is the story of all of them. Unlike many spy thrillers there are no men looking suave in suits, driving swanky cars and sipping expensive whiskies.
The Family Man trailer:
Tiwari eats vada pavs and idlis at the street stalls. He drinks at modest quarter-bars after a tiring day. He drives a Santro. Tiwari is asking his senior to approve his long due home loan. But this James Bond from Chembur (a Mumbai suburb) is way cooler than any other spy you would have seen.
Manoj Bajpayee plays Srikant Tiwari with such an ease that him alone is a good enough reason to binge watch the show. Gaalis (cuss words) uttered by him sound lyrical. He carries a certain pain on his face – that’s the dejection he faces as a family man. He swaps it with an endearing smile (almost childlike grin) when he accomplishes a mission. And this is captured beautifully in one scene where his daughter is telling her mother about how he saved her from getting suspended from school. What a middle class man yearns for is a sense of validation, at work and at home. Srikant at work is worshipped but struggles to find that validation at home.
The series is credited as based on news stories. The filmmakers’ (Raj & DK) 2010 film Shor In The City was also based on the news stories. The duo’s knack for showing quirkiness in the smaller-than-life scenarios has been evident since their debut feature 99. Here, they don’t have the limitation of censorship or the duration limit of a feature film. And they show what they can create when they have that freedom.
Raj & DK have crafted two outstanding one-take shots of assassination of terrorists. One of them is more than 10 minutes long. When was the last time you saw something like this in Indian content? Cinematography (Nigam Bomzan, Aziz Moollan) is spot on. Background score is hypnotic. The action looks more adrenaline than a choreographed set-piece. That’s a plus. Even the supers/title cards are done well. The screenplay (Raj & DK, Suman Kumar) and dialogues (Sumit Arora of Stree) capture the diversity of India blending all the flavours in one.
The Family Man is not only about the spy and his family. Through various sequences leading to the centre conflict of terrorism, the series touches upon the socio-political reality of today’s India. The cow protectors and mob kill two men carrying beef in their truck. Three college students involved in terrorist-like activities are mistakenly killed. Terrorism that is often linked to a religion has its roots going down to the places and people you wouldn’t imagine. Complexities are smartly woven together.
But it’s not just about terrorism and political secrets. The series explores the dynamics of interpersonal relationships at home as well as work. How quickly the kids are growing up rather getting exposed to the whole wild world. How modern day marriages are going through a transition. The creators here have managed to bring all of this together quite efficiently.
All of this wouldn’t have looked seamless on screen had it not been for its fine actors. Leading them is of course Bajpayee. Besides being a spy he’s a storyteller at heart. He can coin a story at any gun point. He’s a delight to watch. His Maharashtrian sidekick, his colleague at NIA, JK Talpade is played superbly by Sharib Hashmi (long time after his hilarious 2012 film Filmistaan). Priyamani as Srikant’s wife Suchi plays it subtle and simple. But she keeps you intrigued. Tiwary’s kids Dhriti (Mehek Thakur) and Atharv (Vedant Sinha) give natural performances.
Need to mention Neeraj Madhav here who plays Moosa, an ISIS trained terrorist. He portrays the complex emotions of a vulnerable son missing his mother and executing a terror attack with prowess. Other supporting cast of Shreya Dhanwanthary, Darshan Kumaar, Sharad Kelkar, Dalip Tahil, Kishore Kumar G, Abrar Qazi do their jobs sincerely.
To sum it up, The Family Man is a cinematic romance. Everything just falls into the right places and it’s the moments that make it an enjoyable journey of ten episodes. Drop everything else and binge watch it.
The Zoya Factor review: Why so much fuss?
Sonam K Ahuja does a reasonably good job but the film is much ado about nothing.
Alright, I haven’t read the novel (The Zoya Factor) on which this film is based. So, I went to watch the film with zero expectations. I just wanted to be entertained for those two hours in the theatre. But unfortunately, entertainment didn’t last for more than the first half. Sonam K Ahuja plays Zoya Solanki who was born on 25th June 1983, the day the Indian cricket team won the World Cup. Zoya’s father (played by Sanjay Kapoor), an avid cricket lover calls Zoya a lucky charm for the Indian cricket team.
Zoya hates cricket. But as fate would have it she finds herself becoming the official Lucky Mascot for the Indian cricket team. How that happens and whatever happens after that is the premise of the film. But there’s so much fuss around this silly sounding phenomenon. Cricketers and crickets fans alike are known to be superstitious. Most of us have watched tense cricket matches doing all sorts of praying rituals, just so that India wins the match or series. The madness reaches its peak when it’s the world cup.
My generation of cricket fans must have seen all the emotional outrage when things don’t go well for Team India. The World Cups of 1996, 2003 and 2007 have been prime examples of that. Post the 2011 world cup victory, fans have sobered up (or down?). The Zoya Factor involves one such world cup with lucky mascot Zoya on the Indian team’s side. The year in which the story is happening is not clearly mentioned. If it is present day, then a thing or two should have been changed w.r.t cricket rules (taking a runner is not allowed to a batsman anymore).
Trailer of The Zoya Factor:
What hurts The Zoya Factor is the lack of reasoning. We get to know how Zoya becomes the lucky mascot but why would the cricket board even consider something like this is a question (even if it’s just a movie) that doesn’t have an answer. The ‘Hows’ of a film can be debated and passed on but the ‘whys’ can hurt a film’s prospects big time. That’s the case with The Zoya Factor. There’s so much fuss created that you wouldn’t care for.
The film showcases everything on a superficial level. We don’t get to know much about Zoya (the protagonist) apart from the fact that every aspect of her life sucks. A more layered character would have added some weight to the film and the drama around her would have been somewhat credible and believable. Sonam K Ahuja does a reasonably good job as Zoya. She has put on weight for this role and she looks the part she plays. But more should have been explored about Zoya’s character. All the other characters are one dimensional, including that of Nikhil Khoda (played by Dulquer Salmaan), the captain of the Indian cricket team who starts dating Zoya. You don’t really feel connected to anyone’s journey.
The film drags a lot. There are some genuinely nice and funny moments but those are all in bits and pieces. There’s brand integration throughout the film. In a movie based on cricket an integration of Pepsi won’t hurt much as the brand has been associated with the game and cricketers for decades. Branding of a paint brand on the team’s jersey is still fine. It’s pretty much realistic too. (I like to write good things about film and I found myself looking for reasons to like this one).
The film drags a lot. There are some genuinely nice and funny moments but those are all in bits and pieces. But cricket, the centre of the whole circus should have been shot well. It is poorly acted and directed. The way the players play the shots or get out or drop catches or run their teammates out – it looks silly and lazy. All the clichés like no balls, sixes on the last ball, catches taken with a player’s feet touching the boundary line make their way into the film. It would have still been fine, had it been built up smartly. Interestingly, some of the cricketers and a board member look like they have been modelled on real Indian cricketers and officials. It’s fun if you spot it.
It is difficult to put together a cricket movie for the complex game that it is. Unfortunately, this is yet another failed attempt to crack a cricket movie. There have been quite a few made on contemporary cricket. Barring MS Dhoni: The Untold Story (2016) and Iqbal (2005) all others have been works which lack knowledge and detailing. Movies succeed on the suspension of disbelief. Unfortunately, The Zoya Factor didn’t work for me on that front. I left the movie theatre with the question, “Why so much fuss?”
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