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Movie Reviews

Unn Saawli Marathi Movie Review: Bhushan Pradhan, Shivani Surve starrer film is a whiff of fragrance!

The film is released in cinemas.

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Bhushan Pradhan and Shivani Surve

UNN SAAWLI (Marathi)

Producer- Sameer A. Shaikh

Director- Deewakar Naaik

Cast- Bhushan Pradhan, Shivani Surve, Ajinkya Nanaware, Ankita Bhoir and Priya Tuljapurkar

Platform of Release- Theatres

Rating:

By Jyothi Venkatesh

This film is about the love story of Pranay (Bhushan Pradhan) and Aanvi (Shivani Surve) and is based on the lines of how love finds its way to people’s hearts. Every love has a story, some are arranged and some just happen. Pranay wants to get married but for some strange inexplicable reason, Aanvi on the other hand doesn’t at all want to get married but she cannot tell that to her mother so they both unwillingly say yes to their marriage, just for their parent’s sake.

The two strangers get engaged and their journey to find love in each other’s heart begins. The journey of Pranay and Aanvi from engagement to marriage unfolds the various aspects and events of each other’s lives.

Over some period of time, Pranay starts getting attracted towards Aanvi, only to realize that maybe he is living in a bubble where he thinks that Aanvi is happy and interested in getting married to him.

Also read: Bastar: The Naxal Story Review: Adah Sharma starrer film is gruesome

However, the bubble breaks when Aanvi`s past returns all of a sudden in the form of Vinay. Aanvi finds herself at the center of a bridge and Pranay and Aanvi are in the centre of the bridge where they have to decide which side they want to go in their lives.

As far as performances go, I should say that Bhushan Pradhan gets into his character of the introvert bridegroom –to-be effortlessly while Shivani Surve renders a sterling performance with aplomb. Ajinkya Nanaware is okay in the role of the antagonist other man especially because his character lacks credibility. Ankita Bhoir tucks in a neat performance as Pranay’s office friend.

Cinematography by Fasahat Khan is of the first order while music by Sarthak Nakul is not only catchy but also extremely melodious to the core. To sum up, at a time when most of the Marathi films merely tackle some serious issue or the other, this film arrives like a whiff of fragrance and is sure to attract the audiences, though it does not at all boast of any well-known star.

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